It has an unmistakable taste and aroma, similar to peppermint but much stronger and with a subtle menthol quality. Wintergreen extract is a powerful flavor that lends itself to many applications in the kitchen. If you prefer spearmint’s more subtle flavor and are looking for a way to use it as a peppermint extract substitute, start by using half the amount of spearmint called for in a recipe and increasing as needed until you achieve your desired taste.Įxperiment with adding additional spices, such as nutmeg or cinnamon, to create even more depth if desired. Many find it to be a pleasant alternative to the stronger taste of peppermint extract, which can be overpowering in some desserts or beverages. Spearmint extract has a distinct but light flavor that is both sweet and herbal at the same time. The schnapps may be slightly sweeter than the extract, so keep that in mind when making adjustments. The 5 Best Substitutes for Flageolet Beans If you don’t have peppermint extract at home, you can use peppermint schnapps as a substitute for most recipes. It is usually used as an ingredient in fruity cocktails, and adding just a small amount can make your drink go from ordinary to extraordinary. The taste of peppermint schnapps is not overpowering, but it adds a unique complexity when added to food or beverage. Peppermint schnapps is a great way to add a sweet and minty flavor to desserts, drinks, and cocktails. Peppermint oil can be used instead of peppermint extract by diluting it with a carrier oil, such as grapeseed or almond oil, at a ratio of 1:4, respectively.Īs an alternative, the trick is to make sure you use substantially less peppermint oil than extract in whatever recipe your using since the difference in potency can have a significant impact on the outcome. It has a strong minty flavor that can be rather overpowering, but when added to specific dishes, it creates a unique taste. Peppermint oil is an important ingredient in modern kitchens, used to create delicious desserts, various dishes, and refreshing drinks. The 5 Best Substitutes for Muenster Cheese 2 – Peppermint Oil Using mint leaves instead of the extract has some advantages because it’s fresher, brighter, and has more nutrients, like vitamins and minerals, that provide numerous health benefits. You can do this by soaking the leaves in warm water for a longer time and getting a more intense flavor. One unique way to use mint leaves is by substituting them for peppermint extract in recipes such as frostings or smoothies. It is often used chopped in a variety of dishes to impart flavor, from salads and sauces to desserts. Mint leaves have an aromatic, strong taste. Here are the top five best substitutes for peppermint extract: 1 – Mint Leaves If you find yourself in a pinch and don’t have any peppermint extract handy, there are several suitable alternatives that can be used to achieve a similar flavor. The 5 Best Substitutes for Peppermint Extract So get creative in the kitchen and make your favorite recipes come alive with this amazing extract. Nowadays, peppermint extract is widely available both online and at most grocery stores. The 5 Best Substitutes for Turbinado Sugar
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The metric system and the US customary units are both widely used in our daily lives. So, understanding how the two systems work can help you accurately measure ingredients and get the best results every time! With this information in hand, you should be able to confidently figure out how many cups is 3 oz. It’s important to keep in mind that the metric system and the customary system have different ways of measuring liquids. This can be useful when measuring ingredients such as liquid oil or nut butters that have a thicker consistency. In the United States, 3 fluid ounces is equal to just under 0.40 cups or 12 teaspoons (tsp). You might be interested: how many ounces are in 1 4 of a cup How many cups is 3 oz? It was first developed by British merchants and colonists to make trading between countries easier, as it used common measurements that were already understood by many people. The customary system of measurement (used in the United States) is rooted in a long history. A brief history of the cups and oz system Additionally, dry ounces are typically used in recipes to measure how much of an ingredient is needed. A dry ounce (oz), on the other hand, is used to measure solids like sugar and flour. What is the difference between a liquid ounce and a dry ounce?Ī liquid ounce (fl oz) is used to measure liquids such as water, milk, and juice. To put it simply, 1 oz is equal to just under 0.30 cups or 8 teaspoons (tsp). In the United States, a fluid ounce is equivalent to 29.57 milliliters (ml). What is cups? What is an ounce?Īn ounce (oz) is a unit of measurement for both liquids and solids. Understanding how the different systems measure ingredients can make all the difference when it comes to cooking and baking. In the United States, a cup is equal to 8 fluid ounces (fl oz), which is approximately 237 milliliters (ml). What are some of the other measurements used in cooking?Ĭups are commonly used to measure dry ingredients, such as flour or sugar.What are some common items that are 3 oz?.Unit of measurement between US and international.Tips to measuring 3 oz to cups conversion successfully.What is the cup to oz conversion equation?.Why know how many cups is 3 oz impotant?.A brief history of the cups and oz system.What is the difference between a liquid ounce and a dry ounce?. Well, Phillipa Soo, who played Eliza in “Hamilton,” has a funny cameo in “Blue’s Big City Adventure,” doesn’t she? That’s right (laughs). You acted in musicals, on Broadway and off, before you were tapped to do “Blue’s Clues & You.” If you were given a chance to do a theater show now, which three productions immediately come to mind? Oh, man… I wish I could do everything (laughs)! But if I could pick three different roles in three different productions, one of shows would have to be “Hamilton.” I’d love to play any role in that one… I wish we had longer to prepare, just so I could hang out and continue to learn from them. The dancers in the movie are so incredibly talented and kind, and they pushed me to learn all of this amazing choreography in so short a time. It couldn’t have been done with anyone else. Josh dela Cruz (center) with Steve Burns and Donovan Patton -PHOTOS COURTESY OF NICKELODEON They’re a force to reckon with, and if you love the music and dancing, they’re very much integral to this movie. I wanted to use all the skills that I had learned from all those talented and amazing people that I had worked with!Īnd so, when the TV show came along, and the people behind it really wanted me to utilize everything that I had learned along the way, it felt like I hit jackpot! This was what I was looking for all those years, and it’s for a show that helps kids and their families.Īs far as the choreography in the movie is concerned, the only way that happened was because of our choreographers, Lindsey Blaufarb and Craig Hollamon and their assistant, Jessica Castro. But there was something tugging at me, telling me that I wanted something else and something more. I didn’t know this at the time, but when I was doing “Aladdin,” I really loved my job and the people I worked with. How long did it take you to rehearse them? And how does it feel for you to be able to merge your two passions-for theater and the TV show itself? It’s amazing. There’s a lot of singing and dancing in the movie. We’re just trying to access that childlike wonder and joy that we hope kids will be feeling when they watch the show. And while we do play characters on this program, they’re also parts of who we are. We all bring something different to the table, and each of it is very personal. We all have a similar sense of humor, but we have different ways of going about it, whether it’s by way of physical comedy or sarcasm or my dumb brand of humor. Steve is genuinely Steve, and Donovan is genuinely Joe. Steve, Donovan and I have done that same thing. So don’t ever feel like you have to replicate or copy anything that we’ve done in the past-and that’s true especially for this movie.” They said, “We cast you because we love what you bring to the table. What do you think does each of you bring to the franchise? BCU … yeah (laughs)! To answer your question, I’ll tell you what they told me when I started doing the show. It feels like you, Steve and Donovan make up significant segments of what I call the BCU (Blue’s Clues Universe). With all its great singing and catchy choreography, the feel-good movie is guaranteed to put a smile on viewers’ faces. All children ever want is to be taken seriously and to be heard. I’m speaking from experience as a former child, and as a current child … depending on the day or the moment I’m in (laughs). We really care about kids and what they think and say. We’re always thinking if there’s a better way to do it. We’re constantly checking in with our Early Childhood Development group, making sure that all the information we’re trying to convey is received. I think that’s really important because we take kids very, very seriously in every stage of our production process. Īngela and Traci Paige Johnson took that concept a step further and waited for the kids to answer. What do you think is the secret behind “Blue’s Clues’” enduring popularity? The thing that helped set “Blue’s Clues” apart, particularly when it first aired in 1996, was that we took our cue from Fred Rogers and how he established talking to kids. The show has undergone different iterations, with Steve Burns (1996-2002) and Donovan Patton (2002-2006) holding the hosting reins before you took over in 2019. We can fix that setting the xpd argument to NA, which will let us draw text below the main plot by changing the way plotting is clipped (see the help page for par for more info on how xpd works). That’s not quite what we want! The labels are more or less in the right spot, but the bottom half is cut off. labels = names ( dat ), # Increase the label size a bit. y = par ( "usr" ), # Use the names from the list. text ( x = 1 : length ( dat ), # Draw labels at the bottom of the chart. boxplot ( dat, xaxt = "n", yaxt = "n" ) axis ( side = 1, labels = FALSE ) axis ( side = 2, las = 2, mgp = c ( 3, 0.75, 0 )) # Draw the x-axis labels. Since we want to draw the x-axis labels at the bottom of the chart, we will use par("usr") as a starting point for the y values. par("usr") will return a vector of the form c(x1, x2, y1, y2) where x1 and x2 are the coordinates of the far left and far right of the plot (the x range), and y1 and y2 are the coordinates of the bottom and top of the plot (the y range). To get the coordinates for the edges of the plotting region, we need the usr argument. There are a TON of possible arguments so I encourage you to take a look at the documentation by typing ?par or help("par") at the R command line. The par function is used to set and query graphical parameters. Rather than manually trying to figure out what the y coordinates for the axis should be, we can get the coordinates of the plotting region directly with the par function. On our chart, the y coordinates run from about -2 to 8. So the x argument will be x = 1:length(dat). These represent numeric vectors of coordinates where the labels will be drawn.įor boxplots, the x coordinates start at 1 and run to the length of the data (in this case 4). Now, we need to position the labels with the x and y arguments of the text function. To tell the text function about our labels, we use the labels parameter (the same one we used for the axis function) like this: labels = names(dat). set.seed ( 1234 ) dat names ( dat ) "Cool dataset one" "Cool dataset two" "Another long name" "Really really long" Maybe something like this: # Set the random seed so your data will be the same as mine. Sometimes you have a plot with axis labels that are too long and end up getting clipped or dropped from the figure. O’Reilly Media.If you want to learn more about styling plots with base R graphics, check out my step-by-step guide to matching the ggplot2 classic theme using base R. Help on all the ggplot functions can be found at the The master ggplot help site.Ī useful cheat sheet on commonly used functions can be downloaded here.Ĭhang, W (2012) R Graphics cookbook. To further customise the aesthetics of the graph, including colour and formatting, see our other ggplot help pages: Print(IrisPlot + myblanktheme + labs(title = "Petal and sepal \nlength of iris", y = "Petal length (cm)", x = "Sepal length (cm)")) Legend.text = element_text(face = "italic", colour = "steelblue4", family = "Helvetica"),Īxis.title = element_text(family = "Helvetica", size = (10), colour = "steelblue4"), Plot.title = element_text(family = "Helvetica", face = "bold", size = (15)), The following code would remove the legend title and axis text. To do this you use the code = element_blank(), remembering those open and closed brackets. For example, size = (3).Īnother option is to remove the text from the plot entirely. Remember to include “” before and after the colour name. the colour can be changed to any of the colours listed here. the type of emphasis, with options including bold, italic and “alic”. Examples of fonts include: “Palatino”, “Helvetica”, “Courier”, “Times”. The font, colour, size and emphasis of any of these labels can be altered by arguments within element_text(your format). legend categories - legend.text = element_text().Where “title type” specifies which particular text you want to edit. The basic format is: mytheme <- theme(title type = element_text(your formats)) To do this, use the code theme() and customise with element_text() to alter these properties. The font, colour, size and emphasis of your labels and text can all be altered. One Continuous and One Categorical VariableĪltering the text style of your legend, axis or title Car was originally Cottonwood Green out of the factory with a Green Vinyl Top. Comes with extra front fenders that have some rust issues. The bed pan/floor has had some areas cut out. Car is set up as an Automatic Transmission but is being sold WITHOUT a transmission or motor. So don't let this total package classic slip away.For sale is a nice project 1971 El Camino. This is the triple-black Super Sport that was made for you to truly enjoy. There's also newer pieces like the bushings, fuel tank, rear air shocks, and sway bars front & rear all to make this a fine driver. Plus, you have power steering and power brakes w/discs up front. The transmission has been upgraded to a 700R4 unit, which means a stout construction now meets overdrive comfort. The Hooker headers feeding the H-pipe exhaust with Flowmaster mufflers means the big V8 has extra power and a terrific sound. But while the top end looks factory, the undercarriage photos reveal this one is hiding some terrific upgrades. The air grabber even fits into the cowl induction hood. That's why the full presentation is tidy and quite correct - right down to details, like the decals on the valve covers and the Quadrajet four-barrel carb. And because this is so significant, they know you're going to want to lift the hood wherever you park. This ultra-desirable motor with the correct VIN numbers means you have a real-deal Super Sport. Under the hood is the numbers-matching LS5. The dual-spoke SS steering wheel feels grippy in your hands, and it gives you a clear view to the round gauge package that includes the large speedo and tach. It was switched to modern R134a, but it will need servicing before blowing ideally cold again. This appears to be a factory air conditioning car. There's also an upgraded AM/FM/cassette stereo. The full black interior completes the ultra-desirable triple-black upgrades (paint, roof, and upholstery.) There have been some more recent investments in key places like the seat covers and carpeting to make sure this is a nice place to spend some time. And we especially like hint of bold color from the redline tires. More than just the sporty pieces, you'll love all the details, like the form-hugging chrome bumpers, bright trim, and a newer black vinyl roof. And this has all your other favorite SS pieces, including the dual hood stripes, hood pins, a true cowl induction hood, complete SS badging, blackout grille & rear, and correct Super Sport wheels. The black paint has a nice gloss to it that highlights the good body panels, and at the same time, gives this true Super Sport a true performance look. Plus, with upgrades like the overdrive transmission and desirable triple-black presentation, this is truly your full wish list in one muscle machine. This 1972 Chevrolet El Camino SS 454 is a real-deal Super Sport that has its numbers-matching LS5 big block. #'S MATCHING W-CODE 454 LS5, 700R4 O/D TRANS, GREAT BLACK OVER BLACK, TRUE SS “Layers” was always the wrong word in SketchUp. The big new change in version 2020 of SketchUp is that layers are now renamed as “tags.” One might think that renaming something is hardly much of a change, but in truth, there is much more to this adjustment. Our primary goal with this review is to review SketchUp Studio, which encapsulates SketchUp Pro and Sefaira and to partly introduce the reader to Sefaira’s energy and daylight analysis features.īut first, let’s review the new in SketchUp 2020. Insofar as architects are concerned, or even AEC users at large, that subject of Ecosystem versus Modeler is one Architosh will have to in full force in another article. When I asked Hariharan Natarajan, Customer Success Manager, Trimble, if this assumption was correct he confirmed by saying that “there are lots of specialties and types of users of SketchUp and they all have unique needs.”Īnd in mentioning the vast ecosystem known as Extension Warehouse, he says, “So we have created a platform that SketchUp users can plug into and just self-serve,” meaning that what users get today with SketchUp is a powerful and popular 3D modeler where they can direct their attention to thousands of extensions written by third-parties to tailor SketchUp to their specific purposes. In other words, the assumption is that Trimble is letting third parties tackle more advanced features in modeling powers. Trimble’s development efforts over the years have largely been focused on other areas in some regard, SketchUp as a modeler is fully matured for what the company wants in its core capabilities. We noted in our 2014 review that there really weren’t any major new modeling functionalities added to SketchUp compared to prior versions. SketchUp Pro is still the most popular version of the software used in AEC workflows, while SketchUp Free and SketchUp Shop are versions for personal use. These tools are now included in what is known as SketchUp Studio, Trimble’s flagship version of the software. (We’ll mention more notes on BIM and SketchUp toward the ends of the review).Īlso new since our last review six years ago, Trimble acquired Sefaira, the popular energy analysis software that works with BIM tools and SketchUp models. For starters, while IFC export was new in SketchUp 2014 when we reviewed it that year, somewhere along the way IFC import was also supported. Since that time a lot has taken place in the world of SketchUp. It has been since August of 2014 that we last published a review of SketchUp and in that version (SketchUp 2014) the big news was the support of Industry Foundation Classes (IFC) file format in the world’s most popular 3D modeler. She prepared a grand feast, entertaining her guests with nectar and celestial peaches, the fruit of immortality. On the birthday of the Queen Mother, all the gods and goddesses in Heaven came to her palace to offer their congratulations. They continued their unhappy search day and night, hoping to recover their treasured pearl. Jade Dragon looked into every nook and cranny at the bottom of the Celestial River, while Golden Phoenix combed every inch of the sacred mountain, but in vain. Frantically, they searched high and low for it. When Jade Dragon and Golden Phoenix woke up in the morning they found the pearl gone. She would not show it to anyone, but immediately hid it in the innermost room of her palace, to reach which one had to pass through nine locked doors. When the guard came back with it, the Queen Mother was very pleased. She sent one of her guards to go in the middle of the night to steal the pearl from Jade Dragon and Golden Phoenix while they were fast asleep. Overwhelmed by the sight, she was eager to acquire it. One day the Queen Mother of Heaven left her palace and saw the brilliant rays shed by the pearl. Trees became green all the year round, flowers of all seasons bloomed together and the land yielded a richer harvest. So they settled down on the fairy island guarding the pearl. Neither wanted to go back to the cave and the forest. They had become attached to each other and both loved the pearl dearly. Gradually the ball turned into a dazzling pearl. They sprinkled and washed the ball with dew and water. In high spirits Golden Phoenix flew to the sacred mountain to gather dewdrops and Jade Dragon carried a lot of clear water from the Celestial River. They carved the pebble day after day, month after month, until they finally made it into a perfect small round ball. Then they started working on it, Jade Dragon using his claws and Golden Phoenix her beak. “Let’s carve it into a pearl,” said Jade Dragon. “Look, how beautiful this pebble is!” Golden Phoenix said to Jade Dragon. There they found a shining pebble and were fascinated by its beauty. One flew in the sky, while the other swam in the Celestial River. Leaving their home every morning, the dragon and the phoenix met each other before going their different ways. In the great forest across the river lived a beautiful Golden Phoenix. Long, long ago there was a snow-white Jade Dragon, living in a rock cave on the east bank of the Celestial River. However, there is a popular folktale which is told as follows: It is actually a large pearl and there are different interpretations of what the pearl signifies. Often you see the dragon depicted with a ball. The Chinese Dragon and Phoenix Pearl Folktale It is common today to see the dragon and phoenix pair together at weddings. The symbolism of a dragon and phoenix together also represented a blissful marriage. As emperors were adorned with dragons, their empresses and surroundings were decorated with phoenixes. The phoenix represents high virtue and grace. This also symolized the union of yin and yang. Overtime, the words were merged (fenghuang) and represented only the female as dragons were predominantly used to represent males. The Chinese phoenix once had a male phoenix (feng) and female phoenix (huang). It has the head of a camel, demon eyes, horns of a stag, claws of the eagle, tiger paws, cow ears, beard from a goat, neck from a snake, belly of a clam, scales of a carp, and a tail of a fish. The Chinese dragon is different than other mythological dragons as its body is formed by a combination of other animals. Therefore, having a child in the year of the dragon was very much desired. Being associated with the dragon means a person is excellent and outstanding. Chinese emperors had dragons throughout their kingdom from their robes and beds to their throne. It symbolizes power, strength, and good luck. In Chinese culture, the dragon is a kind mythological animal representing auspiciousness. NFL footage © NFL Productions LLC.© TAMPA BAY BUCCANEERS. The Tampa Bay Buccaneers wide receiver is coming off his 9th consecutive 1,000 yard. Mike Evans statistics are available during live games and after. Evans hosted the camp to more than 100 kids, for free, ages 8-14 through his Mike Evans Family Foundation. Mike Evans is a 29-year old American professional football player who plays at the Wide Receiver (WR) position for the Tampa Bay Buccaneers in the NFL. bspn in action, they’re only off by about 9. Mike Evans is 29 years old (Aug 21, 1993), 195 cm tall and plays for Tampa Bay Buccaneers. Explore all Tampa Bay Buccaneers NFL player stats - including passing, rushing, receiving. Evans was credited with six dropped passes by ESPN Stats & Info, which is the most in a single game by a single player in the last 10 years. All other NFL-related trademarks are trademarks of the National Football League. Find detailed Mike Evans Receiving Stats on. for the Maxwell Award and the Walter Camp Player of the Year Award named a. Mike Evans (6 receiving touchdowns) has an. Mike Evans (13) Wide Receiver - 2013 (SOPHOMORE): Named a finalist for the. NFL and the NFL shield design are registered trademarks of the National Football League.The team names, logos and uniform designs are registered trademarks of the teams indicated. His longest reception this season went for 63 yards and he has been able to catch 60.6 of the balls thrown to him. And while Atticus is mostly a civil attorney, he’s persuaded by the judge (a delightful David Manis) to take on the case for fear the court-appointed attorney would do poorly. The injustice at the heart of the story centers on a Black man falsely accused of raping a White woman. Indeed, the opening scene jumps right into the trial, with Scout walking around unseen between the other characters filling us in on the action. Along with her brother Jem (Justin Mark) and a visiting kid named Dill (Steven Lee Johnson), the three run around the vast stage causing mischief while also breaking the fourth wall to comment on the goings on. While the novel positions Atticus’s daughter Scout (Melanie Moore) as the protagonist, the play focuses more on the father while still keeping Scout as a narrator. One of the rare touring Broadway shows to show up at the Buell that’s not a musical, To Kill a Mockingbird has shown that at least some drama can make it big: opening on Broadway in 2018 with Jeff Daniels in the Atticus Finch role, the production went on to earn millions while also running into a number of legal disputes. Some things were left out, some pieces were made larger or smaller, but somehow Sorkin put it all together in ingenious fashion - aided in large part by not worrying too much about chronology to focus instead on how to turn a somewhat quiet novel into a theatrical barn burner. His answer was to take all the many scenes of To Kill a Mockingbird and arrange them like a jigsaw puzzle. The touring Broadway version now at the Denver Center’s Buell Theatre features Richard Thomas in the role of Atticus Finch - a small-town lawyer in 1930s Alabama who doesn’t share the racial animus most of the other townsfolk do toward their Black neighbors.Īs I waited for the curtain to rise on opening night in Denver, I wondered to myself how Sorkin would start things off, how he’d take the many disparate pieces of family life that comprise the bulk of the novel and fit them together with the rape trial set piece at the heart of the story. etc.), a playwright with one of the best ears around for action and dialogue, who took the story and turned it into a stage play that manages to seriously over-deliver in terms of adapted material. Then along comes Aaron Sorkin ( The West Wing, A Few Good Men, etc. I corrected this last year sometime and certainly enjoyed the book - although I can think of quite a few other American novels that stand above it. I’m not sure how but through all the English classes I took throughout high school and college, Harper Lee’s to Kill a Mockingbird had never landed in my lap. Aaron Sorkin’s adaptation of the classic novel is as powerful as it is timelyĮveryone has some of those big pieces of canon they haven’t read or seen yet. |
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